Hyde, Morris, and Banes discuss the impact of community on creativity. Provide a central argument (or two) that explains the relationship among these theorists on issues of community and creativity. Be specific about the elements of community and how they differ/are similar from Banes' alternative community to Hyde's gift economy to Morris's "age of" theory.
According to Hyde, in contrast to an impersonal, modern capitalist economy where exchanges are based in values ascribed to particular goods and services, the gift economy is about reinforcing personal relationships. True creativity comes from speaking from the heart, all of the potentially embarrassing things which remain unsaid. Hyde idealizes poets such as Yeats and Pound, who saw themselves as intimately connected to a community and a lineage, versus just writing for the marketplace. Artists cannot feel driven to produce simply to replicate what is popular. "The fruits of the creative spirit is the work of art itself" (Hyde 192). A gift is exchanged based upon relational affirmation, not upon objective transactions that have randomly ascribed monetary values.
While Hyde is primarily focused upon poetry, Barnes is instead focused upon plays and how avant-garde plays often create alternative communities, versus those of the hegemonic society. "They came to live and work in Greenwich Village precisely because it was possible to form an alternative community there" (Barnes 38). Barnes' vision of an alternative community is to some extent an answer to some of the idealization found in Hyde. Even Hyde notes that some people's ability to gain...
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